Germany 2010 Director: Wim Wenders with Pina Bausch and the Wuppertal Dance Ensemble of the Opera House, 107 min 3D
So you still dance never seen! "Pina" by Wim Wenders is a sensation, and comes directly after his triumph at the Berlin Film Festival where the film premiered to standing ovations in the cinemas. Died 2009 in Wuppertal Pina Bausch dance legend lives on here actually in their choreography and the fragments of her dance language.
Wim Wenders wanted to turn for decades with Pina Bausch and a movie. Only when he was in Cannes, the concert documentary "U2 3D" saw, he called on from the idea the head of the Wuppertal Dance Theatre. With the new 3D method he wanted to realize his vision, but just before the first rotation, died Pina Bausch. But with the solid ensemble and a senior and a junior squad was Wenders continue the project. Rightly so, as Pina Bausch, lives in her choreography and so on these images.
The still together with selected Bausch choreography "Café Müller", "Le Sacre du printemps," "Full Moon" and "Kontakthof" form the backbone of the film. The first few scenes of a performance of "Le Sacre du Printemps" is overwhelming. The dance film rises from the ground level surface in the stunning heights of art. The sweaty, dirty bodies were never seen before in this accuracy. The dance room has never been so intense experienced. is this huge impression that the new standard for dance-and 3-D film, Wenders can follow more ingenious staging ideas. The cut is "Pina" in very special moments to a magical time machine. Then immersed in current productions for seconds Pina Bausch herself in the middle of the movement. Young people and senior citizens dancing in addition to the permanent ensemble of the "Kontakthof" jump in the assembly of this so striking piece about the interaction of gender effortlessly between generations back and forth. Breathtaking!
given asked the camera individual ensemble members of dance theater to personal memories. The answer is always a short sentence and then danced in Wuppertal scene. Of these sometimes charming, sometimes funny, sometimes performing with advertising city monorail Single sets are there in the middle of the movie, before "full moon" a bear back away, perhaps too many. But most of the dancers we pass on their own personal favorite move, they have developed in unique cooperation with the extremely conservative ball. " It was as if Pina was in all of us or the other way. As if we were all a part of it , "we hear from the troops, with more respect than love, but that with infinite admiration.
As with "Hammett," in which Wenders, Coppola's electronic studio tried it, and at Buena Vista Social Club ", his first high-resolution digital film technology leap was huge Wenders -. As well as James Cameron" Avatar "- must wait until the technology was mature. How fast the 3D capabilities developed, we see from the fact that had to be held in the first rotational phase, a crane on the monster on stage at the Wuppertal Opera House the two cameras. In later outdoor scenes there was a moving Steadycam, the first allowed a real duet between apparatus and dancers. The Cannes-winning Wenders ("Paris, Texas") again turns film history, shifting boundaries of perception and illuminates the future of 3D cinema, while on the creation of dance legend Pina belly looks back.
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